Seething with anger aimed at politics and society, Kele Okereke’s latest solo album ‘2042’ is a hell of a lot to internalise during one sitting.
Cool, refined and expertly marshaling an array of influences from R&B to dub, Greentea Peng’s latest EP ‘Rising’ showcases an exceptional talent.
A gloriously messy melange of ideas which don’t all work, Warmduscher’s third album ‘Tainted Lunch’ is totally compelling nonetheless.
A masterpiece that conflates personal reflection and identity with global political anxieties, ‘Kiwanuka’ is a career defining moment.
A 10-track overview of Underworld’s year-long ‘Drift’ multimedia project, this necessarily imperfect collection contains some of the band’s best work of the last 20 years.
Alex O’Connor’s major-label debut as Rex Orange County, ‘Pony’ contains all the affectionate charm that has made him such a hot property.
Another album of heartache set to exquisitely produced dream-pop, Greg Gonzalez’s second Cigarettes After Sex album ‘Cry’ feels like an extension of the debut.
With a wider sonic palette and stunning production values, ‘Fibs’ makes a fine successor to Anna Meredith’s award-winning ‘Varmints’.
Michael Gira’s latest iteration of Swans is rather similar to that which gave us three consecutive masterpieces, but ‘Leaving Meaning.’ isn’t quite as revelatory.
In delivering a gospel album in ‘Jesus Is King’, Kanye West has divided audiences and critics in a way that only he can.
