Sarah Barthel and Josh Carter’s fourth Phantogram album ‘Ceremony’ is like a well-acted film without a strong enough story.
Rachel Aggs’ latest Shopping album ‘All Or Nothing’ finds their wiry, anxious and kinetic post-punk formula very much un-messed with.
A bland and often banal mish-mash of elements from their four previous albums, Bombay Bicycle Club’s grand comeback is a serious disappointment.
Cool, refined and expertly marshaling an array of influences from R&B to dub, Greentea Peng’s latest EP ‘Rising’ showcases an exceptional talent.
Alex O’Connor’s major-label debut as Rex Orange County, ‘Pony’ contains all the affectionate charm that has made him such a hot property.
A hulking beast of bleak experimentalism, Girl Band’s second effort ‘The Talkies’ is bewildering yet emotionally cathartic.
The 28th edition of the Mercury Prize is nearly upon – but which of the 12 acts stands the best chance of scooping the grand prize?
Returning to a more basic, garage-punk sound, ‘Twelve Nudes’ is a short, consistent blast of intelligence and energy directed at the parlous state of society in 2019.
A beginner’s guide to hip-hop legends A Tribe Called Quest.
With their latest EP ‘Life Goes On’, Geoff Barrow’s side-project Beak> quietly affirms itself as one of Britain’s most boundary-pushing bands.