Grandiose yet heartfelt and nuanced, Arcade Fire’s 2010 album ‘The Suburbs’ cemented their position as one of the world’s biggest and best bands.
A great leap forwards in Isaac Brock’s artistry, Modest Mouse’s ‘The Moon & Antarctica’ was a successful transition from the indies to the majors.
A jaded, cynical yet ultimately touching analysis of Western civilisation’s obsession with technology at the dawn of the millennium, Grandaddy’s ‘The Sophtware Slump’ feels even more relevant 20 years on.
The point at which The National began to outgrow their cult status to become one of the world’s finest bands, ‘High Violet’ turns 10 years old.
Written off as commercial suicide at the time, MGMT’s lysergic second album ‘Congratulations’ has aged incredibly well ten years on.
A charming, retro-futurist vision for pop that was wildly out of step with the mainstream in 2000, Broadcast’s debut album ‘The Noise Made By People’ is a lost treasure.
Economical, precise and immense fun, Two Door Cinema Club’s 2010 debut ‘Tourist History’ gave indie a commercial shot in the arm at the start of the decade.
An understated mix of alternative country and lush chamber-pop, Lambchop’s 2000 album ‘Nixon’ remains Kurt Wagner’s masterwork.
A skull-crushing onslaught of psych, krautrock, dub and post-punk enhanced by a small army of cutting edge producers, ‘XTRMNTR’ was Primal Scream’s second masterpiece.
Beach House’s 2010 album ‘Teen Dream’ was the joyous sound of a band finally discovering the full extent and power of its own voice.