Processing other bands’ better ideas without originality, The Snuts’ debut album ‘W.L.’ is as landfill as indie can get.
A low-key album of pop, dub and rap experimentation, ‘Gorillaz’ is a compelling but imperfect origin story of one of music’s most enduring bands.
Innovative in promotional terms as well as purely musical ones, it’s hard to remember a major label album as shocking and revolutionary as Radiohead’s ‘Kid A’.
Thrilling riffs and humorous lyrics make the four-year wait for the new Dinosaur Pile-Up album ‘Celebrity Mansions’ worth it.
One of the most cruelly overlooked bands of the Nineties, The Beta Band’s reputation rests largely on the mercurial talent displayed on 1998’s ‘The Three EPs’ collection.
One of the most wildly ambitious British guitar records of the Nineties, Mansun’s second album ‘Six’ deserves to be rediscovered and celebrated.
An introspective companion piece to last year’s ‘Humanz’, ‘The Now Now’ is a quiet triumph for Damon Albarn and Gorillaz but still comes nowhere near the heights of their glory years.
A dark head-rush of twisted psychedelia, drum machines and gothic stompers, Mansun’s ‘Attack Of The Grey Lantern’ is one of the most underrated debut albums of the Nineties.
Jordan Cardy’s much-anticipated debut album as Rat Boy packs plenty of storytelling punch, but perhaps lacks the extra ingredient of originality to make a truly great first record.
Intended as a companion piece to ‘A Head Full Of Dreams’, Coldplay’s new EP captures them at their best, and at their worst.
