Justin Vernon’s fourth Bon Iver album ‘i, i’ emphasises the balance that needs to be struck between community and the individual, and is his warmest music yet.
A sun-drenched Thursday afternoon at Halifax’s Piece Hall brought the ever-needed, laid-back yet endlessly entertaining blessing of Mac DeMarco.
Presenting a fully formed 21st century pop icon to the world in the form of Florence Welch, ‘Lungs’ is one of the Noughties’ great debut albums.
Mattiel’s second studio album ‘Satis Factory’ doesn’t dwell much on detail but delivers on nostalgia-infused garage rock.
Hannah Rodgers blooms as a writer and claims an identity and sound of her own with her second Pixx album ‘Small Mercies’.
Doya Beardmore’s first Skinny Pelembe album ‘Dreaming Is Dead Now’ is a laid-back mixture of R&B, folk and indie.
Long but exceptionally fresh, bright and upbeat, Vampire Weekend return after a six-year hiatus with double album ‘Father Of The Bride’.
Polly Louisa Salmon’s latest GFOTY EP sees her revel in parodying and satirising modern pop trends, while having tremendous fun to boot.
Full of teenage angst, drama, insecurity and insight, ‘When We All Fall Asleep, Where Do We Go?’ shows why Billie Eilish has been quite such a divisive figure.
A confident album of narrative alt-rock world building, Nilüfer Yanya’s debut record ‘Miss Universe’ introduces the public to a fresh voice.