Though it fluctuates between intensely intimate moments and full-band productions, ‘Home Video’ is Lucy Dacus’ strongest album yet in lyrical terms.
Justin Vernon’s reinvention of Bon Iver as a full-band endeavour for its second album, replete with electronic washes, has been quietly but massively influential.
While it perhaps won’t have the same impact as previous releases, ‘Chemtrails Over The Country Club’ is an artful evolution of Lana Del Rey’s image and persona.
Embracing a bigger sound than her acutely intimate early work, ‘Little Oblivions’ serves to amplify Julien Baker’s message.
While there are a healthy number of inspired takes on beautiful heartbreak originals, Marika Hackman’s ‘Covers’ is too uniformly sombre.
While there’s highlights aplenty, the slightly over-calculated nature of the production prevents ‘Chromatica’ from going full Lady Gaga.
Combining entertaining, brilliantly produced bangers with insightful songwriting, ‘SAWAYAMA’ is one of the best pop debuts of 2020.
A song cycle of friendship, desire and regret, ‘The Neon Skyline’ shows that Andy Shauf continues to blossom as a songwriter.
Our countdown of the 200 greatest albums released from 2010 to 2019.
On sixth album ‘2020’, Richard Dawson narrates our modern, hyper-branded, anxious and rushed world.
