While it perhaps won’t have the same impact as previous releases, ‘Chemtrails Over The Country Club’ is an artful evolution of Lana Del Rey’s image and persona.
Embracing a bigger sound than her acutely intimate early work, ‘Little Oblivions’ serves to amplify Julien Baker’s message.
While there are a healthy number of inspired takes on beautiful heartbreak originals, Marika Hackman’s ‘Covers’ is too uniformly sombre.
While there’s highlights aplenty, the slightly over-calculated nature of the production prevents ‘Chromatica’ from going full Lady Gaga.
Combining entertaining, brilliantly produced bangers with insightful songwriting, ‘SAWAYAMA’ is one of the best pop debuts of 2020.
A song cycle of friendship, desire and regret, ‘The Neon Skyline’ shows that Andy Shauf continues to blossom as a songwriter.
Our countdown of the 200 greatest albums released from 2010 to 2019.
On sixth album ‘2020’, Richard Dawson narrates our modern, hyper-branded, anxious and rushed world.
On her fourth album ‘All Mirrors’, Angel Olsen effortlessly evolves into a synth-rock queen, embracing emotional turbulence and upheaval.
A curious, diverse yet vaguely conceptual album designed to be picked apart for personal playlists, ‘Metronomy Forever’ sees Joseph Mount enter yet another new phase.
