Now in his fifties, Stephen Malkmus’s appetite for casually experimenting with his mellifluous indie-rock sound is only getting more voracious, as ‘Sparkle Hard’ demonstrates.
Seventh album ‘Islands’ finds Ash in dynamic but uneven form, with the slower tracks and ballads edging out their regular pop-punk glories for the first time ever.
‘The Man-Machine’ was the second of Kraftwerk’s holy trinity of influential masterpieces, and one that gradually opened them up to a wider audience.
While it may dwell in ‘Parklife’s shadow in terms of its wider popularity, ‘Modern Life Is Rubbish’ is the most indispensable album of Blur’s career, and formed a key thematic plank for Britpop.
A masterclass in minimalist texture, punk energy and memorable melodies, No Age’s debut album ‘Nouns’ helped propagate a resurgence in American indie.
What we got up to at Live At Leeds 2018!
All the best new music released in April 2018 – including Father John Misty, Melody’s Echo Chamber, Deafheaven, Janelle Monae and Florence + The Machine!
Coming back after 11 years with an album so startlingly different it was effectively a second debut, Portishead’s ‘Third’ remains one of the most unique artistic statements of the last decade.
The best gigs of the week in Leeds – including Katie Von Schleicher, Mexrrissey, Manic Street Preachers and Yo La Tengo.
A cornerstone for electronica and one of the Nineties’ most influential albums, revisit Boards Of Canada’s 1998 debut ‘Music Has The Right To Children’ on its 20th anniversary.