A milestone in the development of British indie in 1980 because of its quiet economy, ‘Colossal Youth’ was the only album from the short-lived Young Marble Giants.
After two albums of breakneck post-punk, 1984’s ‘Let It Be’ was the moment that The Replacements finally came of age.
One of the most influential indie records of all time, Pixies’ star-making second album ‘Doolittle’ was released in April 1989.
30 years ago, My Bloody Valentin’s first LP for creation records became one of the cornerstones of the shoegaze genre. Much imitated, but never bettered.
An album integral to the very DNA of independent culture and music as we understand it today, Sonic Youth’s ‘Daydream Nation’ is still so visceral and forceful 30 years later.
A sensual, highly literate album about affairs of the heart, ’16 Lovers Lane’ was the defining work and epitaph for cult Australian indie act The Go-Betweens.
One of hip-hop’s most enduring masterpieces, and sadly still as relevant in 2018 as it was in 1988, we look at Public Enemy’s second album ‘It Takes A Nation Of Millions To Hold Us Back’.
Making a revolutionary impact on the American underground scene in the late 1980s, Dinosaur Jr.’s second album ‘You’re Living All Over Me’ is an indie landmark.
The Smiths’ fourth and final album ‘Strangeways, Here We Come’ is the sound of Morrissey and Marr trying very hard not to repeat themselves, and succeeding handsomely.
‘Bleach’ is a snapshot of a band totally unaware of, and not even seeking, the massive and destructive fame that would come their way just two years later.
