While it reaps more rewards in its pursuit of being at the cutting-edge, neither Beck nor collaborator Pharrell Williams truly stretch themselves on ‘Hyperspace’.
‘Nightmare Forever’ is a vivid and colourful album of psychedelic rock from Nolan Potter’s Nightmare Band.
A surprising blur of unfamiliar elements, ‘Everyday Life’ represents the first time that Coldplay haven’t jumped on whatever bandwagon might generate the highest revenue for them.
With ‘Girl’, North London trio Girl Ray deliver a radiant, summery sophomore effort as the country heads into winter.
Venturing into gloomy, psychedelic space-rock territory on their sophomore album ‘Devastation’, Pumarosa continue their development.
Their second album in 18 months, ‘Beneath The Floors’ sees Canadian art-punks Deliluh getting even more confident in their lyrics and music.
Despite a clutch of spectacular highlights, DJ Shadow’s half-instrumental double album ‘Our Pathetic Age’ is way too long and over-ambitious.
A sequel to their 2008 collaboration, Julie Doiron represents a fitting creative foil for Phil Elverum’s Mount Eerie on ‘Lost Wisdom, Pt. 2’.
A compelling delve into the psyche of FKA twigs as well as an exploration of being human, ‘Magdalene’ is Tahliah Barnett’s second masterpiece.
Seething with anger aimed at politics and society, Kele Okereke’s latest solo album ‘2042’ is a hell of a lot to internalise during one sitting.
