‘The Realist’ is an understated, graceful companion to Lanterns On The Lake’s exceptional ‘Spook The Herd’, and a perfect end to an era.
Sleeker and more powerful than his lo-fi early material, George Miller’s second Joji album ‘Nectar’ is a small but noticeable step forwards.
A new side-project headed by Interpol’s Paul Banks, ‘Muzz’ is functional but ultimately nowhere near ambitious enough to transcend its origins.
A curate’s egg only of interest to hard-bitten Sufjan fans, ‘Aporia’ is a series of frustratingly half-formed good ideas recorded with his stepfather Lowell Brams.
Jeremy Warmsley and Elizabeth Sankey’s first Summer Camp album in five years, ‘Romantic Comedy’ is a completely brilliant analysis and subversion of pop culture’s presentation of love.
A masterpiece that conflates personal reflection and identity with global political anxieties, ‘Kiwanuka’ is a career defining moment.
Some aspects of ‘Surviving’ might make it alarming for long-term fans, but the record is one of Jimmy Eat World’s most quietly innovative.