It’s business as usual for former Hüsker Dü frontman Bob Mould on his 13th solo album ‘Sunshine Rock’, one of the least gloomy and most reflective works he’s ever produced.
A flagstone for the mainstream success of pop-punk in the Nineties, the youthful energy of Green Day’s third album ‘Dookie’ is timeless.
It’s very much business as usual on Dinosaur Jr. frontman J Mascis’ latest solo offering ‘Elastic Days’ – and that’s a really great thing.
Much more than just battle-hardened survivors, The Prodigy’s latest album ‘No Tourists’ finds them in fresher form than at any point in the last decade.
Although it’s brief, Public Service Broadcasting remain on top form with their latest EP ‘White Star Liner’, a moving evocation of the construction, sinking and discovery of the Titanic.
Greta Van Fleet explore ’70s rock more broadly and expertly than some critics have admitted, but ‘Anthem Of The Peaceful Army’ is a pretty shallow experience.
‘Bottle It In’ is the first Kurt Vile record to potentially split its audience, despite its admirable and mostly successful attempts at expanding his sonic boundaries.
Ferocious and multi-faceted, Estrons long-awaited debut album ‘You Say I’m Too Much, I Say You’re Not Enough’ fully delivers on the years of expectation.
A compelling fusion of stoner rock and doom metal that exponentially ups the power of both genres, Pigsx7’s full-length debut album ‘King Of Cowards’ is a triumph.
Joyce Manor continue to tack away from their older punk mannerisms and towards an enmeshment of ‘90s alternative rock, Britpop and shoegaze on ‘Million Dollars To Kill Me’.