Mark Linkous’s first Sparklehorse album, ‘Vivadixiesubmarinetransmissionplot’ is split between spacy folk-rock and scuffed, lo-fi indie.
One of the most challenging and avant-garde albums from a major artist of all time, Scott Walker’s malevolent ‘Tilt’ turns 25 years old.
Elastica’s skillful, accessible reconstitution of their obvious post-punk influences made their 1995 self-titled debut one of the fastest-selling albums in UK history.
‘Grace’, the sole completed album by the iconic Jeff Buckley before his untimely death at the age of 30, still stands up as a universally relatable yet highly personal record.
Portishead may not have invented ‘trip hop’, but their endlessly cool and inventive 1994 debut album ‘Dummy’ came to define it completely.
An album of endearing yet emotionally sharp power-pop that’s resonated with generations of outcasts, Weezer’s ‘The Blue Album’ turns 25.
Representing one of the commercial apexes of Britpop in the mid-Nineties, ‘Parklife’ was the realisation of Damon Albarn’s vision for Blur’s music.
Arguably the greatest hip-hop album of all time, Nas’ 1994 debut ‘Illmatic’ is a perfect distillation of the genre’s essence.
A flagstone for the mainstream success of pop-punk in the Nineties, the youthful energy of Green Day’s third album ‘Dookie’ is timeless.
With the addition of Darren Emerson and the release of 1994’s seminal ‘dubnobasswithmyheadman’, Underworld went from has-beens to pioneers.
