Recorded at the same time as its more illustrious sister album ‘Kid A’, 2001’s ‘Amnesiac’ showed Radiohead matching the scope of rock with the sonic possibilities offered by electronic music.
A low-key album of pop, dub and rap experimentation, ‘Gorillaz’ is a compelling but imperfect origin story of one of music’s most enduring bands.
One of the most perfectly realised and presented albums of all time, Daft Punk’s 2001 album ‘Discovery’ is the cornerstone of their massive popularity and enduring legacy.
The album that fulfilled the promise of the original vision for the art of sampling, The Avalanches’ 2000 debut ‘Since I Left You’ is an expression of wonderment and infinite possibilities.
A smorgasbord of hip-hop, psychedelia, soul and funk, Outkast’s fourth album ‘Stankonia’ presaged the genre-blind approach to music today.
Innovative in promotional terms as well as purely musical ones, it’s hard to remember a major label album as shocking and revolutionary as Radiohead’s ‘Kid A’.
A jaded, cynical yet ultimately touching analysis of Western civilisation’s obsession with technology at the dawn of the millennium, Grandaddy’s ‘The Sophtware Slump’ feels even more relevant 20 years on.
A charming, retro-futurist vision for pop that was wildly out of step with the mainstream in 2000, Broadcast’s debut album ‘The Noise Made By People’ is a lost treasure.
An understated mix of alternative country and lush chamber-pop, Lambchop’s 2000 album ‘Nixon’ remains Kurt Wagner’s masterwork.
A skull-crushing onslaught of psych, krautrock, dub and post-punk enhanced by a small army of cutting edge producers, ‘XTRMNTR’ was Primal Scream’s second masterpiece.
