The band’s third and (to date) final album of original material, 1999’s ‘The Battle Of Los Angeles’ acted as a course corrective for Rage Against The Machine.
A magnum opus of masterful, conceptual songwriting spanning a bewildering number of genres, ’69 Love Songs’ by The Magnetic Fields has not been surpassed.
An optimistic fin-de-siecle masterpiece offering hope for humanity, The Flaming Lips’ 1999 album ‘The Soft Bulletin’ turns 20.
Aphex Twin’s 1999 EP ‘Windowlicker’, combined with its memorable video, was so far ahead of its time that it still sounds cutting-edge today.
Bridging the gap between booze and ecstasy culture at the end of the Nineties, ‘You’ve Come A Long Way Baby’ remains the quintessential Fatboy Slim artefact and Norman Cook’s finest hour.
Perhaps the most sonically beautiful album of the Nineties, ‘Deserter’s Songs’ was Mercury Rev’s finest hour, but it emerged out of their darkest.
One of the most cruelly overlooked bands of the Nineties, The Beta Band’s reputation rests largely on the mercurial talent displayed on 1998’s ‘The Three EPs’ collection.
One of the most wildly ambitious British guitar records of the Nineties, Mansun’s second album ‘Six’ deserves to be rediscovered and celebrated.
Although she has still not followed it up, ‘The Miseducation Of Lauryn Hill’ remains one of the most influential American records of the Nineties.
DJ Shadow and Mo’Wax boss James Lavelle teamed up for the star-studded UNKLE album ‘Psyence Fiction’ 20 years ago.
