More technically precise, sonically diverse and politically urgent than ever before, Algiers’ third album ‘There Is No Year’ is essential listening for indie fans.
A bland and often banal mish-mash of elements from their four previous albums, Bombay Bicycle Club’s grand comeback is a serious disappointment.
More confident and less self-conscious than her already accomplished debut, Georgia Barnes’ ‘Seeking Thrills’ is a thoroughly enjoyable modern if occasionally safe pop experience.
More confident and stylised than their debut, the emotional depth of The Big Moon’s ‘Walking Like We Do’ becomes apparent after multiple listens.
Smokepurpp’s latest mixtape ‘Deadstar 2’ continues to mark him out as one of Florida’s finest new wave rappers.
‘Nightmare Forever’ is a vivid and colourful album of psychedelic rock from Nolan Potter’s Nightmare Band.
Venturing into gloomy, psychedelic space-rock territory on their sophomore album ‘Devastation’, Pumarosa continue their development.
Their second album in 18 months, ‘Beneath The Floors’ sees Canadian art-punks Deliluh getting even more confident in their lyrics and music.
A compelling delve into the psyche of FKA twigs as well as an exploration of being human, ‘Magdalene’ is Tahliah Barnett’s second masterpiece.
Seething with anger aimed at politics and society, Kele Okereke’s latest solo album ‘2042’ is a hell of a lot to internalise during one sitting.
