More confident and less self-conscious than her already accomplished debut, Georgia Barnes’ ‘Seeking Thrills’ is a thoroughly enjoyable modern if occasionally safe pop experience.
‘Nightmare Forever’ is a vivid and colourful album of psychedelic rock from Nolan Potter’s Nightmare Band.
Venturing into gloomy, psychedelic space-rock territory on their sophomore album ‘Devastation’, Pumarosa continue their development.
Bodega’s punches often fail to connect on disappointingly brief and underwritten EP ‘Shiny New Model’.
On ‘Under Your Sky’, The Sherlocks deliver a criminally unimaginative sophomore album that serves as a whistle-stop tour of indie-rock’s clichés.
On their third album ‘Hot Motion’, Temples unfortunately over-polish their sound and lose many of the winning characteristics that made them so satisfying.
Dark post-punk ranging from high-energy ragers to ghostly, minimalist pieces, ‘When I Have Fears’ is a fine debut from Dublin’s The Murder Capital.
Quite aside from the backlash it’s generated, ‘No Man’s Land’ certainly represents an over-extension of Frank Turner’s emotional resources.
Forsaking the electric guitar for the first time in his career, Ty Segall’s latest studio creation ‘First Taste’ still manages to convincingly re-create his psych-garage style.
Kaiser Chiefs once accurately expressed dissatisfaction with the modern world, but now that 2019 is genuinely a mess, they’re making prosaic, generic ‘anthems’ with no distinguishing qualities.
