The accomplished ‘Auto-Pain’ sees Chicago post-punk outfit Deeper discover the ability to express themselves with an even greater range of emotions and sounds.
Hitting a sweet spot between indie, funk and psych-rock, ‘Disco Volador’ is an infectious triumph for The Orielles.
With a superabundance of frantic, noisy riffing and howling vocals, ‘God Damn’ is a return to form for the Wolverhampton trio.
Venturing into gloomy, psychedelic space-rock territory on their sophomore album ‘Devastation’, Pumarosa continue their development.
Bodega’s punches often fail to connect on disappointingly brief and underwritten EP ‘Shiny New Model’.
Dark post-punk ranging from high-energy ragers to ghostly, minimalist pieces, ‘When I Have Fears’ is a fine debut from Dublin’s The Murder Capital.
Quite aside from the backlash it’s generated, ‘No Man’s Land’ certainly represents an over-extension of Frank Turner’s emotional resources.
Forsaking the electric guitar for the first time in his career, Ty Segall’s latest studio creation ‘First Taste’ still manages to convincingly re-create his psych-garage style.
His first new album in six years, Bill Callahan is in reflective and ruminative form on ‘Shepherd In A Sheepskin Vest’.
Matt Thomson’s claims for The Amazons’ second album ‘Future Dust’ fall short, with a collection of unremarkable rock riffs and bland over-production.