Hitting a sweet spot between indie, funk and psych-rock, ‘Disco Volador’ is an infectious triumph for The Orielles.
‘1, 2, Kung Fu!’, the debut effort from Welsh band Boy Azooga, is an enjoyable indie debut splattered with electronica and psychedelia.
The Orielles’ debut album ‘Silver Dollar Moment’ is a sparky, quick-fix of garage-rock energy refracted through the lens of classic pop.
With their ninth album ‘Home Counties’, Saint Etienne deliver a paean to their suburban childhoods that’s occasionally barbed but always beautiful.
‘Gargoyle’ is a reminder of Mark Lanegan’s talent as an artist in his own right, not just us a creative foil for others.
With their second album ‘Volcano’, Temples refine and polish the winning formula from their 2014 debut.
The first of FIVE King Gizzard albums to be released in 2017, ‘Flying Microtonal Banana’ is business as usual for the Aussie psych-rockers.
The ‘new wave’ of psychedelia that has emerged in the last five or so years has produced many an average, floppy-haired band that are so shoegaze you actually find yourself gazing at your own shoes and falling asleep. Yet there have equally been those who have restored faith in the genre, pushing it forward into fresh and exciting territory. And Brighton-based quartet TOY have certainly played their part. Tripping onto
While it ticks many of the same boxes as its predecessor, The Wytches’ second album sees them hit something of a creative ceiling that will need to be addressed next time.
by Ollie Rankine Australian psychedelic rockers King Gizzard & The Lizard Wizard don’t have an off switch. Since forming in 2010, the band have managed to release eight studio albums, four of which being in just the last two years. From their Thee Oh Sees inspired debut 12 Bar Bruise in 2012 to the jazzed-up, prog-infused tones of Oddments, King Gizzard’s rapidly expanding back catalogue lacks any predictable development. Constantly succeeding