Perfectly capturing the human experience of love, heartache and the struggle for autonomy, Julia Jacklin’s sophomore album ‘Crushing’ is an emotional triumph.
A decade into their career, White Lies show more signs of evolving their grey, monolithic post-punk sound than ever before on ‘FIVE’.
Although it’s brief, Public Service Broadcasting remain on top form with their latest EP ‘White Star Liner’, a moving evocation of the construction, sinking and discovery of the Titanic.
Regaining the screaming, cathartic impetus they had lost the last time out, Dylan Baldi’s Cloud Nothings hit top form with fifth album ‘Last Building Burning’.
Dabbling further in electronics and with the rougher, more lo-fi end of indie, Hippo Campus waste no time in delivering a follow-up to last year’s debut album.
Rosa Walton and Jenny Hollingworth deliver a mature and inventive follow-up to a brilliant debut with the second Let’s Eat Grandma album ‘I’m All Ears’.
Pop music’s most talked-about background figure SOPHIE gives us a glimpse of the artist behind the enigma with a thrilling and hyper-real debut album ‘Oil Of Every Pearl’s Un-Insides’.
‘1, 2, Kung Fu!’, the debut effort from Welsh band Boy Azooga, is an enjoyable indie debut splattered with electronica and psychedelia.
Simian Mobile Disco’s sixth album ‘Murmurations’ is yet another strong addition to an inventive and evolving body of work.
Gengahr’s second album ‘Where Wildness Grows’ shows some progression on their pleasant, shoegaze-inflected indie-pop formula.