Although it’s brief, Public Service Broadcasting remain on top form with their latest EP ‘White Star Liner’, a moving evocation of the construction, sinking and discovery of the Titanic.
Regaining the screaming, cathartic impetus they had lost the last time out, Dylan Baldi’s Cloud Nothings hit top form with fifth album ‘Last Building Burning’.
Dabbling further in electronics and with the rougher, more lo-fi end of indie, Hippo Campus waste no time in delivering a follow-up to last year’s debut album.
Rosa Walton and Jenny Hollingworth deliver a mature and inventive follow-up to a brilliant debut with the second Let’s Eat Grandma album ‘I’m All Ears’.
Pop music’s most talked-about background figure SOPHIE gives us a glimpse of the artist behind the enigma with a thrilling and hyper-real debut album ‘Oil Of Every Pearl’s Un-Insides’.
‘1, 2, Kung Fu!’, the debut effort from Welsh band Boy Azooga, is an enjoyable indie debut splattered with electronica and psychedelia.
Simian Mobile Disco’s sixth album ‘Murmurations’ is yet another strong addition to an inventive and evolving body of work.
Gengahr’s second album ‘Where Wildness Grows’ shows some progression on their pleasant, shoegaze-inflected indie-pop formula.
Joan Wasser explores many different themes on ‘Damned Devotion’, from the struggles of being in a relationship, through showing off your tender side, to completely taking your guard down.
Obaro Ijimiwe’s latest Ghostpoet album ‘Dark Days + Canapés’ feels very much like a record of its vaguely apocalyptic times.