Representing one of the commercial apexes of Britpop in the mid-Nineties, ‘Parklife’ was the realisation of Damon Albarn’s vision for Blur’s music.
Arguably the greatest hip-hop album of all time, Nas’ 1994 debut ‘Illmatic’ is a perfect distillation of the genre’s essence.
Although they’d been around for years before it, ‘His N’ Hers’ was the point at which Pulp finally found their audience.
A flagstone for the mainstream success of pop-punk in the Nineties, the youthful energy of Green Day’s third album ‘Dookie’ is timeless.
With the addition of Darren Emerson and the release of 1994’s seminal ‘dubnobasswithmyheadman’, Underworld went from has-beens to pioneers.
The greatest hip-hop album of the Nineties according to many, Wu-Tang Clan’s debut album ‘Enter The Wu-Tang (36 Chambers) took the underground to the mainstream in 1993.
Released 25 years ago, ‘Siamese Dream’ turned Smashing Pumpkins from stars of the independent scene to the nerve-centre of America’s rock mainstream.
25 years later, Björk’s breakout album ‘Debut’ still sounds stunningly modern and forward-thinking.
‘Exile In Guyville’, Liz Phair’s witty, detailed, and emotional vision of male-dominated society, makes living in one much easier.
Matador’s 25th anniversary box set is both a formal acknowledgment of the importance of Liz Phair to American indie history, as well as her early experimental songwriting.