Elastica’s skillful, accessible reconstitution of their obvious post-punk influences made their 1995 self-titled debut one of the fastest-selling albums in UK history.
25 years on, Tricky’s dense, paranoid and beautiful debut album ‘Maxinquaye’ feels like an avenue that artists are only just starting to explore.
Leftfield’s 1995 debut album ‘Leftism’ was one of the finest major achievements in British electronica, as influenced by dub reggae as much as house.
An album of endearing yet emotionally sharp power-pop that’s resonated with generations of outcasts, Weezer’s ‘The Blue Album’ turns 25.
Representing one of the commercial apexes of Britpop in the mid-Nineties, ‘Parklife’ was the realisation of Damon Albarn’s vision for Blur’s music.
Arguably the greatest hip-hop album of all time, Nas’ 1994 debut ‘Illmatic’ is a perfect distillation of the genre’s essence.
Although they’d been around for years before it, ‘His N’ Hers’ was the point at which Pulp finally found their audience.
A flagstone for the mainstream success of pop-punk in the Nineties, the youthful energy of Green Day’s third album ‘Dookie’ is timeless.
With the addition of Darren Emerson and the release of 1994’s seminal ‘dubnobasswithmyheadman’, Underworld went from has-beens to pioneers.
The greatest hip-hop album of the Nineties according to many, Wu-Tang Clan’s debut album ‘Enter The Wu-Tang (36 Chambers) took the underground to the mainstream in 1993.