Natalie Mering’s fourth Weyes Blood album ‘Titanic Rising’ is a significant leap forwards, an exercise in the application of nostalgic influences to create something thrilling, moving and contemporary.
It’s very much business as usual on Dinosaur Jr. frontman J Mascis’ latest solo offering ‘Elastic Days’ – and that’s a really great thing.
An enervating soundtrack to a disintegrating world of fake news, economic decline and societal discontent, Low have delivered a resounding, unique masterpiece with 12th album ‘Double Negative’.
‘Hope Downs’ sees Rolling Blackouts Coastal Fever deliver handsomely after two years of hype for their debut album.
‘Fleet Foxes’, one of the most perfectly formed and influential debut albums of the Noughties, turns 10 years old.
A masterclass in minimalist texture, punk energy and memorable melodies, No Age’s debut album ‘Nouns’ helped propagate a resurgence in American indie.
Greta Kline’s Frankie Cosmos project goes from strength to strength, and ‘Vessel’ confirms her as one of the finest songwriters of her generation.
Foals’ debut album ‘Antidotes’ is far from their creative peak, but the sonic template it laid down has dominated British indie for the last 10 years.
The first Hot Snakes album in 14 years, ‘Jericho Sirens’, does a magnificent job in living up to the cult reputation that their first three records built up in their absence.
Bully’s latest effort is passable, but rarely stirs up the same visceral punk rock fun of their debut.