Lush, summery dream-pop dominates the mood on ‘Until The Tide Creeps In’, the debut album from new British indie hopefuls Penelope Isles.
A significantly more varied effort than last year’s ‘Sugar & Spice’ EP, Harriette Pilbeam’s debut album as Hatchie shows that dream-pop is a world with almost unlimited possibilities.
A carefully layered album of electropop and indie, the four-year wait for Amber Bain’s debut LP as The Japanese House, ‘Good At Falling’, was worth it.
Yak’s second album ‘Pursuit Of Momentary Happiness’ is a study in the tunnel-vision madness of the creative process and striving to get what you want.
Bring Me The Horizon’s sixth studio album ‘amo’ is a challenging, wildly inconsistent and often infuriating listen, but there’s treasures there for the stubborn.
Damon Albarn’s reunited supergroup return after nearly 13 years, with a perfectly timed lament for the EU.
30 years ago, My Bloody Valentin’s first LP for creation records became one of the cornerstones of the shoegaze genre. Much imitated, but never bettered.
A collaborative effort between Julien Baker, Phoebe Bridgers and Lucy Dacus, ‘boygenius’ is an imperious display of empathy and brilliant songwriting.
We caught up with Lindsey Jordan – aka Snail Mail – after her gig at Leeds’ Brudenell Social Club, and talked about touring, wine, cupcakes and the benefits of water.
Addressing love, loss and grief, as well as birth and youth, Big Thief singer Adrianne Lenker’s latest solo album ‘abysskiss’ is a melancholy triumph.