Representing one of the commercial apexes of Britpop in the mid-Nineties, ‘Parklife’ was the realisation of Damon Albarn’s vision for Blur’s music.
Arguably the greatest hip-hop album of all time, Nas’ 1994 debut ‘Illmatic’ is a perfect distillation of the genre’s essence.
Although they’d been around for years before it, ‘His N’ Hers’ was the point at which Pulp finally found their audience.
Aphex Twin’s 1999 EP ‘Windowlicker’, combined with its memorable video, was so far ahead of its time that it still sounds cutting-edge today.
Released to controversy in February 1999, ‘The Slim Shady LP’ was the lift-off point for one of the 21st century’s most memorable musical figures.
A flagstone for the mainstream success of pop-punk in the Nineties, the youthful energy of Green Day’s third album ‘Dookie’ is timeless.
With the addition of Darren Emerson and the release of 1994’s seminal ‘dubnobasswithmyheadman’, Underworld went from has-beens to pioneers.
The greatest hip-hop album of the Nineties according to many, Wu-Tang Clan’s debut album ‘Enter The Wu-Tang (36 Chambers) took the underground to the mainstream in 1993.
Bridging the gap between booze and ecstasy culture at the end of the Nineties, ‘You’ve Come A Long Way Baby’ remains the quintessential Fatboy Slim artefact and Norman Cook’s finest hour.
Perhaps the most sonically beautiful album of the Nineties, ‘Deserter’s Songs’ was Mercury Rev’s finest hour, but it emerged out of their darkest.
