‘Bright Green Field’ consists of engaging formulations of post-punk, funk, jazz and krautrock executed with manic energy – truly, one of the finest British debuts in recent times.
Marie Ulven’s first full-length girl in red album ‘if i could make it go quiet’ could transform her huge cult fanbase into mainstream success.
A seamless, dynamic blend of digital beats and electro-acoustic instrumentation, Steven Ellison’s soundtrack to Netflix anime ‘Yasuke’ is near flawless.
Well over three decades into their career, J Mascis and Dinosaur Jr. give fans more of what they want on 12th album ‘Sweep It Into Space’.
Easy-going bedroom indie-pop par extraordinaire, there’s absolutely everything right about Tomemitsu’s gorgeous ‘Sun’.
London Grammar bust out of the monotony of their first two albums with ‘Californian Soil’, their most vivid, experimental and powerful project yet.
A chilled and easy-going mix of folk, pop and indie, ‘Music’ will hopefully be a breakout moment for Mac DeMarco-approved Benny Sings.
Processing other bands’ better ideas without originality, The Snuts’ debut album ‘W.L.’ is as landfill as indie can get.
Dry, inventive and intelligent, Dry Cleaning’s ‘New Long Leg’ represents one of British post-punk’s most promising debut albums in years.
Delicate, polished but ultimately a bit anonymous, ‘DEACON’ loses its identity in Josiah Wise’s pursuit of perfection.
