Hobbled by a very short run-time, Dirty Projectors’ latest EP ‘Windows Open’ feels slightly unsatisfying and insubstantial as we wait for a new album.
On sixth album ‘2020’, Richard Dawson narrates our modern, hyper-branded, anxious and rushed world.
Weaving something unmistakably fantastical into his bedroom pop aesthetic, Alex Giannascoli ascends to a new level on his latest (Sandy) Alex G album ‘House Of Sugar’.
A surprise new mixtape from Dev Hynes’ Blood Orange project, ‘Angel’s Pulse’ examines the tension between the capacities for good and evil in human nature.
Another charmingly inconsistent collection strewn with incredible highlights from Hot Chip on seventh album ‘A Bath Full Of Ecstasy’.
Out of step with the great majority of what passed for alternative rock in the late Noughties, ‘Bitte Orca’ by Dirty Projectors has quietly shaped the subsequent decade.
Kieran Hebden, aka Four Tet, has been one of the most cutting edge artists in British electronica for two decades. Begin exploring his back catalogue here!
Full of watery and pristine production, Panda Bear’s latest solo album ‘Buoys’ is stylistically unified almost to a fault.
‘About The Light’ doesn’t radiate sunny optimism exactly, but there’s definitely a certain generosity and stability of spirit, the sense that Steve Mason is finally at peace with his place in the world.
‘Merriweather Post Pavilion’ completed Animal Collective’s narrative arc and made them the most important American indie band of the Noughties.