In a sentence:
A surprise new mixtape from Dev Hynes’ Blood Orange project, ‘Angel’s Pulse’ examines the tension between the capacities for good and evil in human nature.
“If I got rid of my demons, I’d lose my angels.” Tennessee Williams
“If I got rid of my demons, I’d lose my angels.”
Can angels bleed? The title of Blood Orange’s new mixtape Angel’s Pulse seems to suggest that the answer is yes, which then forces us to consider inextricably linked questions. Can angels feel pain? Can they die? I’m not particularly interested in finding answers in holy texts, and I don’t think Blood Orange mastermind Dev Hynes is either (on this tape, at least). Instead, Angel’s Pulse spends its 32-minute runtime wrestling with the fact that with angels come demons, with the future comes a past, with hope comes darkness. The record’s 14 tracks sound gorgeous at nearly every turn, yet are all the while indebted to the hardships that helped birth them.
READ MORE: Blood
Orange // ‘Negro Swan’ – album review
example of this dichotomy would be ‘Birmingham’, a song about the
16th Street Baptist Church bombing of 1963 — an act of white
supremacist terrorism that left four black girls dead and 22 other people
injured. Featured singers Kelsey Lu and Ian Isiah deliver breathtaking vocal
performances, singing about — and then from the perspective of — the mother of
one of the murdered children, over a minimalistic instrumental backing of
melancholic organ chords. Of course, the idea that tragic ideas and depressing
lyrics can be delivered beautifully is not only non-novel, but perhaps obvious
to the point of being not worth mentioning. ‘Birmingham’ is really just one
manifestation of Angel’s Pulse’s
tendency to exist, prettily, in a place of great conflict and tension.
On the first
track, ‘I Wanna C U’, the
place of tension is literal, as the speaker watches a runner outside the
window, singing, “I wanna see you / And
keep it in your home.” By album highlight ‘Benzo’, however,
there’s motivation to abandon the previously desired home: “Outside, I saw where I belong.” Tracking
this movement to the mixtape’s close, Hynes realizes on ‘Today’ that it was a “Big mistake in stepping out, nothing good today.”
Sonically, this confusion is rarely felt; instead we are given crisp, hypnotic
drums like those on ‘Dark &
Handsome’, clean (albeit a bit reverb-drenched) guitar sounds as heard on ‘Tuesday Feeling (Choose To Stay)’,
and my personal favorite cut ‘Baby
Florence (Figure)’, which channels fellow New York City
multi-instrumentalist Arthur Russell in all his soothing beauty.
For a short
record comprised of short songs, there remains quite a bit to chew on as one
sits with Angel’s Pulse. Like albums
such as Wire’s Pink Flag or,
perhaps more relevantly (chronologically and stylistically), Tierra Whack’s Whack World, Hynes’s work
is packed with as many ideas as will fit into relatively limited confines.
While they’re always pleasant on the ears, penultimate track ‘Happiness’ seems to reaffirm
that, yes, angels have pulses, and, yes, good things end: “Happiness will fade.” Thankfully, there’s joy enough to match the
confusion and mourning on Angel’s Pulse,
and, though happiness fades, the mixtape’s impact will certainly linger. (6/10) (Ben Weinstein)
Listen to Angel’s Pulse by Blood Orange here via Spotify, and tell us what you think below!
Tags: Angel's Pulse, Ben Weinstein, Blood Orange, Dev Hynes, Domino, review
On 'Any Human Friend', Marika Hackman reclaims female sexuality in…
Justin Vernon's fourth Bon Iver album 'i, i' emphasises the…
Forsaking the electric guitar for the first time in his…
Your email address will not be published.
This site uses Akismet to reduce spam. Learn how your comment data is processed.