Skating Polly’s fifth album ‘The Make It All Show’ is loud, dynamic and graceful, and the kind of record a band makes when its at the peak of its imperial phase.
There’s plenty of energy and righteous anger on War On Women’s second full-length ‘Capture The Flag’, but it’s ultimately hamstrung by a punk-by-numbers approach.
Leeds-based four-piece Skull release an intriguing debut album which, while a little self-indulgent at times, leaves them with plenty of space into which to evolve.
On the 40th anniversary of her debut album ‘The Kick Inside’, we take a whistle-stop tour of Kate Bush’s compelling and varied discography.
Politics, righteousness and amazing tunes freighted with force and melody, ‘Dream Wife’ is everything you could possibly want from a debut album.
Our sixth Women In Rock profile looks at Siouxsie Sioux, the High Priestess of British punk and a key influence on goth and post-punk.
Dream Wife’s latest single ‘Fire’, padded out to an EP with previous release ‘Somebody’ and three new remixes, only makes the prospect of a debut album even more exciting.
Our latest Women In Rock profile looks at Exene Cervenka, creative engine of L.A. punk pioneers X, latterly Auntie Christ and The Knitters, and also a successful multi-media artist in her own right.
Nadine Shah’s politically and socially on-point third album ‘Holiday Destination’ should see her access a wider audience.
TCFN is in no way the worst album ever, but it is the worst album Liars have released, whether it be through its deliberately painful drones and grating textures, or just poor songwriting Andrew has made a huge misstep on this record.