‘Scatter The Rats’, the first L7 album in 19 years, still packs the punk thrills of old in places but isn’t a great representation of their true power overall.
American indie icon Mary Timony re-assembles Ex Hex for a fun, if predictable, second album of garage-punk in ‘It’s Real’.
A deep dive into personal grief and loss, ‘There Will Be No Intermission’ is Amanda Palmer’s most intense work yet.
To mark International Women’s Day on March 8th, here’s a whacking great playlist of awesome music written, performed or sung by women.
A key marker in the evolution of the British post-punk and goth scenes, Siouxsie & The Banshees’ 1978 debut album ‘The Scream’ is brilliantly and darkly compelling.
An album that revolutionised the stale and small pop music scene of 2008, Lady Gaga’s iconic debut album ‘The Fame’ turns 10 years old.
A long-standing omission from the riot-grrl canon has been finally corrected, as early ’90s feminist post-hardcore heroes Little Ugly Girls finally get a full-length album, pieced together from demos.
An introduction to the iconic Viv Albertine: guitarist for The Slits, outspoken activist and pioneer for women in British indie and punk.
Skating Polly’s fifth album ‘The Make It All Show’ is loud, dynamic and graceful, and the kind of record a band makes when its at the peak of its imperial phase.
There’s plenty of energy and righteous anger on War On Women’s second full-length ‘Capture The Flag’, but it’s ultimately hamstrung by a punk-by-numbers approach.
