Following a string of rough ‘n’ ready singles, Hotel Lux’s first EP ‘Barstool Preaching’ further justifies the excited words being uttered about them.
Lorely Rodriguez bounces back with her third album ‘I’m Your Empress Of’, more expressive and personal than her previous works.
Nandi Rose Plunkett’s second Half Waif album ‘The Caretaker’ is a beautiful and dark record, exuding resilience and vulnerability in equal measure.
Another album of heartache set to exquisitely produced dream-pop, Greg Gonzalez’s second Cigarettes After Sex album ‘Cry’ feels like an extension of the debut.
Laetitia Tamko’s second Vagabon album takes the arresting vision of her 2017 debut and explodes it into something grander.
Louder, more emotional and more thoughtful than ever before, Zachary Cole Smith makes his finest DIIV album so far with ‘Deceiver’.
Canadian indie-rock veterans The New Pornographers keep things very much the same as ever on eighth album ‘In The Morse Code Of Brake Lights’ – and that’s a great thing.
Danish trio Efterklang return after a seven-year break with the entrancing ‘Altid Sammen’, their first album to be sung entirely in their native tongue.
Weaving something unmistakably fantastical into his bedroom pop aesthetic, Alex Giannascoli ascends to a new level on his latest (Sandy) Alex G album ‘House Of Sugar’.
Three years in the making, Whitney’s second album ‘Forever Turned Around’ is just like its predecessor: earnest yet refreshingly free.