Wolf Alice deliver a supremely confident, consistent and mature album for their third outing with ‘Blue Weekend’.
Kanye West’s endlessly eclectic and inventive magnum opus, 2010’s ‘My Beautiful Dark Twisted Fantasy’ continues to influence new artists and silence his critics a decade later.
A four-hour monster of a remix album, there’s so much material on Foals’ ‘Collected Reworks’ that it’s worth your time to at least explore.
For every win on Glass Animals’ eclectic third album ‘Dreamland’, there’s another moment of excruciating cringe.
On their fourth album ‘Notes On A Conditional Form’, The 1975’s ambition often exceeds their grasp, sounding like a poorly curated playlist.
The point at which The National began to outgrow their cult status to become one of the world’s finest bands, ‘High Violet’ turns 10 years old.
Hobbled by a very short run-time, Dirty Projectors’ latest EP ‘Windows Open’ feels slightly unsatisfying and insubstantial as we wait for a new album.
A thematic and true sequel to his previous Tame Impala masterpieces, Kevin Parker ruminates on the nature of time on ‘The Slow Rush’.
The Student Playlist counts down the top 200 tracks of the 2010s!
Never before have Lana Del Rey’s various aesthetics sounded more genuine, and in service of a singular sentiment, than on ‘Norman Fucking Rockwell!’
