After the harrowing self-doubt and heartbreak of ‘Dirty Projectors’, David Longstreth emerges into the light of hope and new love on ‘Lamp Lit Prose’.
Kamasi Washington’s latest epic double-album ‘Heaven And Earth’ is another artistic triumph, the band-leader executing ambitious arrangements without irony or pretension.
‘ye’ is archetypal and iconic in its own way – but it makes for kind of a dreary listen, a word usually applied last to anything Kanye West produced.
On ‘Midnight Marker’, Shy Layers makes clear use of his visual artist ethos to present us with a sort-of muzak of excellent craftsmanship.
Alex Turner has certainly split the Arctic Monkeys fanbase with ‘Tranquility Base Hotel & Casino’, one of the strangest and most divisive albums to come from a major artist in a very long time.
Jon Hopkins’ ‘Singularity’ is one of the best-produced British dance albums of recent years.
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Unknown Mortal Orchestra’s fourth album ‘Sex & Food’ contains much musical progression, but still showcases Ruban Nielson’s unique songcraft.
George Ezra’s second record ‘Staying At Tamara’s’ is pure escapism – a decently put together, well-produced but slightly artless half an hour.