In delivering a gospel album in ‘Jesus Is King’, Kanye West has divided audiences and critics in a way that only he can.
On ‘Kids See Ghosts’, Kanye West and Kid Cudi find in each other the perfect creative foil – Cudi setting the mood and bringing lyrical honesty, while West provides the edge with his verses and ingenious sampling.
‘ye’ is archetypal and iconic in its own way – but it makes for kind of a dreary listen, a word usually applied last to anything Kanye West produced.
Released 10 years ago, ‘Graduation’ was the end of the first golden age of Kanye West.
The top fifty albums of 2016, selected by our staff.
by John Tindale When the most divisive man on the planet announced he was going to be releasing a seventh studio album in 2013, a mere five months after the release of the almost-experimental Yeezus, many heads were turned. Now two and a half years and no fewer than three title changes later, The Life Of Pablo has finally arrived and the media storm with it. Part of Kanye West’s brilliance is
To adapt that famous misquotation attributed to Mark Twain, reports of the album’s death have been greatly exaggerated. Ever since the turn of the millennium, conventional wisdom has had it that the traditional long-player is on its way out, an arcane format out of time with the digital world that will cede inexorably to a future of singles and playlists. But while many artists have experimented with what an album