The departure of bassist Walter Gervers is just one way in which ‘Everything Not Saved Will Be Lost’ is a new era for Foals.
Foals’ debut album ‘Antidotes’ is far from their creative peak, but the sonic template it laid down has dominated British indie for the last 10 years.
2015 has been our first year of operation under our new name The Student Playlist, and it’s been a year of steady expansion. There are now five of us, with a view to adding yet more talented, passionate writers in the new year as we continue in our quest to point out the best new music, rediscover old albums, both stone-cold classics and hidden treasures, and cause lively debate with
by Ed Biggs With their expansive third album Holy Fire, which won this publication’s Album of the Year of 2013, Oxford’s Foals put themselves forward as the next British band to cross over into the seriously big leagues – the Number 1 albums, the awards winners, the Glastonbury headline sets – reserved for acts whose sound is able to fill the biggest spaces. Two and a half years and distribution deal
To adapt that famous misquotation attributed to Mark Twain, reports of the album’s death have been greatly exaggerated. Ever since the turn of the millennium, conventional wisdom has had it that the traditional long-player is on its way out, an arcane format out of time with the digital world that will cede inexorably to a future of singles and playlists. But while many artists have experimented with what an album