Swapping stern angularity for warm, Seventies-inspired sounds, ‘Daddy’s Home’ is a personal affair for Annie Clark but perhaps the least knowable St. Vincent album.
Aided by St. Vincent on production, ‘The Center Won’t Hold’ boasts the widest range of sonic influences for any Sleater-Kinney album so far.
‘MASSEDUCTION’ can be read both as St. Vincent being seduced into significant Pop culture relevancy and, conversely, her taking the entire medium of celebrity and Pop and making it work for her. Choosing to interpret it as the latter makes for one of the best and consistent listens of the year.
To adapt that famous misquotation attributed to Mark Twain, reports of the album’s death have been greatly exaggerated. Ever since the turn of the millennium, conventional wisdom has had it that the traditional long-player is on its way out, an arcane format out of time with the digital world that will cede inexorably to a future of singles and playlists. But while many artists have experimented with what an album