Despite areas of ‘Heads Up’ being more accessible than its predecessor, Warpaint continue to reap rewards from their intricate playing style.
by Ed Biggs August has been a terrific month for music: not least because of the headline-grabbing return of Frank Ocean with not one, but two new albums in the shape of visual project Endless, following two days later on August 20th by Blonde, currently sitting atop the charts on both sides of the Atlantic and many markets around the world.
To adapt that famous misquotation attributed to Mark Twain, reports of the album’s death have been greatly exaggerated. Ever since the turn of the millennium, conventional wisdom has had it that the traditional long-player is on its way out, an arcane format out of time with the digital world that will cede inexorably to a future of singles and playlists. But while many artists have experimented with what an album