Recorded after years of personal struggle, Holly Lapsley Fletcher’s long-awaited second album ‘Through Water’ is therapeutic and cathartic.
Grittier, darker and more emotionally honest than anything he’s ever done, ‘After Hours’ represents a step forward for Abel Tesfaye.
It won’t do anything to win back any previous fans, but Morrissey’s latest LP ‘I Am Not A Dog On A Chain’ is better than his recent efforts.
Nocturnal vignettes of the modern dating landscape, ‘The Night Chancers’ is Baxter Dury’s most complete album yet.
Deap Vally and The Flaming Lips join forces for ‘Deap Lips’, which is sadly less than the sum of its parts.
‘You Know I’m Not Going Anywhere’ is a slightly disappointing and anonymous fourth album from The Districts, whose previous output had been so intriguing.
Circa Waves’ fourth release consists of two mini-albums encompassing happiness and sadness. An ambitious concept that’s disappointingly more of the same.
Kieran Hebden’s latest Four Tet album ‘Sixteen Oceans’ is the soundtrack of an artist reflecting on his achievements and exploring many ideas at once.
Porridge Radio’s second studio album ‘Every Bad’ is sharper and more detailed than their 2016 debut.
Sarah Barthel and Josh Carter’s fourth Phantogram album ‘Ceremony’ is like a well-acted film without a strong enough story.
