A thematic and true sequel to his previous Tame Impala masterpieces, Kevin Parker ruminates on the nature of time on ‘The Slow Rush’.
Jeremy Warmsley and Elizabeth Sankey’s first Summer Camp album in five years, ‘Romantic Comedy’ is a completely brilliant analysis and subversion of pop culture’s presentation of love.
With their tongue-in-cheek take on the state of the world set to jaggy, DIY indie-punk, Mush’s debut album ‘3D Routine’ is a great first effort.
Catchy deep cuts and emotive, personal songwriting make Elly Jackson’s long-awaited third La Roux album ‘Supervision’ a success.
Rachel Aggs’ latest Shopping album ‘All Or Nothing’ finds their wiry, anxious and kinetic post-punk formula very much un-messed with.
A document of recovery from Channy Leaneagh’s terrifying accident last year, ‘When We Stay Alive’ quietly demands your attention.
Green Day’s deliberately economical 13th album ‘Father Of All…’ represents a minor late-career upswing, full of energy and spirit.
Mackenzie Scott’s fourth TORRES album ‘Silver Tongue’ contains some of her boldest compositions to date.
‘Panic On’ serves as a clearing house for Leeds quartet Fudge.’s previous excellent singles.
Explicitly political and unflinching in its analysis of American society’s malaise, ‘The Unraveling’ is a barely disguised expression of revulsion.
