Wearing experience and determination like a badge of courage, Katie Crutchfield’s fifth Waxahatchee album ‘Saint Cloud’ is her finest so far.
Recorded after years of personal struggle, Holly Lapsley Fletcher’s long-awaited second album ‘Through Water’ is therapeutic and cathartic.
Nocturnal vignettes of the modern dating landscape, ‘The Night Chancers’ is Baxter Dury’s most complete album yet.
Kieran Hebden’s latest Four Tet album ‘Sixteen Oceans’ is the soundtrack of an artist reflecting on his achievements and exploring many ideas at once.
Porridge Radio’s second studio album ‘Every Bad’ is sharper and more detailed than their 2016 debut.
Letting our collective anxiety about the state of the world stew in glacial, literate pop, Meghan Remy’s latest U.S. Girls album ‘Heavy Light’ is different to her previous masterpiece.
Hitting a sweet spot between indie, funk and psych-rock, ‘Disco Volador’ is an infectious triumph for The Orielles.
‘La Vita Nuova’, a surprise new six-track EP from Hélöise Letissier’s Christine & The Queens, expounds on the same themes as 2018’s album ‘Chris’.
His fifth Caribou album, ‘Suddenly’ is more personal and vulnerable than anything in Dan Snaith’s catalogue, but it also includes plenty of festival-friendly hits.
Vibrant, soulful and urgent, Newcastle’s Lanterns On The Lake reach a new level with fifth album ‘Spook The Herd’.
