More technically precise, sonically diverse and politically urgent than ever before, Algiers’ third album ‘There Is No Year’ is essential listening for indie fans.
More thematically consistent than the sonic grab-bag of ‘99.9%’, Kaytranada’s second album ‘Bubba’ is a more thorough exploration of his influences.
A surprising blur of unfamiliar elements, ‘Everyday Life’ represents the first time that Coldplay haven’t jumped on whatever bandwagon might generate the highest revenue for them.
Venturing into gloomy, psychedelic space-rock territory on their sophomore album ‘Devastation’, Pumarosa continue their development.
Their second album in 18 months, ‘Beneath The Floors’ sees Canadian art-punks Deliluh getting even more confident in their lyrics and music.
A compelling delve into the psyche of FKA twigs as well as an exploration of being human, ‘Magdalene’ is Tahliah Barnett’s second masterpiece.
Cool, refined and expertly marshaling an array of influences from R&B to dub, Greentea Peng’s latest EP ‘Rising’ showcases an exceptional talent.
A masterpiece that conflates personal reflection and identity with global political anxieties, ‘Kiwanuka’ is a career defining moment.
Alex O’Connor’s major-label debut as Rex Orange County, ‘Pony’ contains all the affectionate charm that has made him such a hot property.
In delivering a gospel album in ‘Jesus Is King’, Kanye West has divided audiences and critics in a way that only he can.
