Marie Ulven’s first full-length girl in red album ‘if i could make it go quiet’ could transform her huge cult fanbase into mainstream success.
Recorded innovatively with water-related techniques, Crumb’s second album ‘Ice Melt’ is like psychedelia for mermaids.
A seamless, dynamic blend of digital beats and electro-acoustic instrumentation, Steven Ellison’s soundtrack to Netflix anime ‘Yasuke’ is near flawless.
Easy-going bedroom indie-pop par extraordinaire, there’s absolutely everything right about Tomemitsu’s gorgeous ‘Sun’.
Dry, inventive and intelligent, Dry Cleaning’s ‘New Long Leg’ represents one of British post-punk’s most promising debut albums in years.
Inventive, energetic avant-pop bears up heavy thematic material on Tune-Yards’ dense latest effort ‘sketchy.’.
A yearning, spiritual jazz masterpiece augmented by minimalist electronica and symphonic elements, ‘Promises’ is a seamless fusion of genres.
After a prolonged battle with debilitating aural conditions, Peter Silberman revives The Antlers for the guardedly optimistic ‘Green To Gold’.
Aidan Moffat and Malcolm Middleton are no longer men out of time in 2021 – ‘As Days Get Dark’ is a perfect soundtrack for gloomy times.
Urgent yet surprisingly heartfelt, ‘Emergency Telephone’ sees Billy Nomates expand her artistic credentials and establish herself as one of the most compelling new voices in post-punk today.
