A masterpiece that conflates personal reflection and identity with global political anxieties, ‘Kiwanuka’ is a career defining moment.
Alex O’Connor’s major-label debut as Rex Orange County, ‘Pony’ contains all the affectionate charm that has made him such a hot property.
In delivering a gospel album in ‘Jesus Is King’, Kanye West has divided audiences and critics in a way that only he can.
Much more riff-orientated than its twin, ‘Everything Not Saved Will Be Lost – part 2’ rounds off a triumphant year for Foals.
On their second full-length album ‘The Beast In The Blueprint’, Leeds-based freese trio turn vulnerability and anxiety into strength and virtue.
On sixth album ‘2020’, Richard Dawson narrates our modern, hyper-branded, anxious and rushed world.
Big Thief’s second album of 2019 alone, ‘Two Hands’, is much more earth-bound and raw than its heavenly predecessor.
Louder, more emotional and more thoughtful than ever before, Zachary Cole Smith makes his finest DIIV album so far with ‘Deceiver’.
On her fourth album ‘All Mirrors’, Angel Olsen effortlessly evolves into a synth-rock queen, embracing emotional turbulence and upheaval.
Although perhaps not as cutting-edge as ‘Atrocity Exhibition’, ‘uknowhatimsayin¿’ is Danny Brown’s most consistent effort.