‘Bright Green Field’ consists of engaging formulations of post-punk, funk, jazz and krautrock executed with manic energy – truly, one of the finest British debuts in recent times.
A seamless, dynamic blend of digital beats and electro-acoustic instrumentation, Steven Ellison’s soundtrack to Netflix anime ‘Yasuke’ is near flawless.
While some ideas could have done with being explored further, Daniel Lopatin colourfully explores his memories of radio on ‘Magic Oneohtrix Point Never’.
Often overlooked in his groundbreaking catalogue, ‘…I Care Because You Do’ shows Aphex Twin in transition.
A charming, retro-futurist vision for pop that was wildly out of step with the mainstream in 2000, Broadcast’s debut album ‘The Noise Made By People’ is a lost treasure.
Although perhaps not as cutting-edge as ‘Atrocity Exhibition’, ‘uknowhatimsayin¿’ is Danny Brown’s most consistent effort.
An introduction to pioneering British electronica label Warp Records, to mark its 30th anniversary.
The first Flying Lotus album in five years, ‘Flamagra’ sees Steven Ellison exploring his life-long passion for hip-hop but plays it slightly too safe on occasion.
Aphex Twin’s 1999 EP ‘Windowlicker’, combined with its memorable video, was so far ahead of its time that it still sounds cutting-edge today.
Combining sonic curveballs with accessible, dare we say straightforward moments, ‘Collapse’ is absolutely classic Aphex Twin material.
