A compelling delve into the psyche of FKA twigs as well as an exploration of being human, ‘Magdalene’ is Tahliah Barnett’s second masterpiece.
In delivering a gospel album in ‘Jesus Is King’, Kanye West has divided audiences and critics in a way that only he can.
Although perhaps not as cutting-edge as ‘Atrocity Exhibition’, ‘uknowhatimsayin¿’ is Danny Brown’s most consistent effort.
The intense hype around experimental noise-rockers Black Midi is justified by the breakneck mania of their debut album ‘Schlagenheim’.
The first Flying Lotus album in five years, ‘Flamagra’ sees Steven Ellison exploring his life-long passion for hip-hop but plays it slightly too safe on occasion.
After so long at the cutting-edge of post-dubstep, it’s strange to hear Zomby happy to stand still and luxuriate on new EP ‘Vanta’.
On ‘CrasH Talk’, ScHoolboy Q reflects on a decade in the rap game with a more mature effort, despite some unnecessary filler.
Sasami Ashworth’s satisfying debut album combines varied instrumentation and well-meshed harmonies with bare emotion.
On her debut album proper ‘GREY Area’, Little Simz demonstrates why she’s been one of UK hip-hop’s most hyped properties for so long.