A vibrant celebration of music and human emotions set to sleek, timeless dance-pop, ‘Róisín Machine’ is Róisín Murphy’s finest solo album to date.
Arriving at a point of revolution and upheaval, ‘RTJ4’ transforms Run The Jewels from rowdy rascals to spiritual soldiers.
It won’t do anything to win back any previous fans, but Morrissey’s latest LP ‘I Am Not A Dog On A Chain’ is better than his recent efforts.
‘Lux Prima’ by Karen O and Danger Mouse is an expansive and sonically enchanting album, and a truly unforgettable experience.
Much more than just battle-hardened survivors, The Prodigy’s latest album ‘No Tourists’ finds them in fresher form than at any point in the last decade.
Full of swirling, occasionally transcendent arrangements, ‘Living In Extraordinary Times’ proves that, even on their 15th album, James are a still a viable creative force.
Seventh album ‘Islands’ finds Ash in dynamic but uneven form, with the slower tracks and ballads edging out their regular pop-punk glories for the first time ever.
More Britpop throwback fun with DMA’S highly enjoyable second album ‘For Now’.
14 years on ice has not dulled A Perfect Circle’s political songwriting chops or pioneering alternative metal dynamics.
Aside from the controversy surrounding its release, Morrissey’s 11th studio album ‘Low In High School’ is an exhausting listen that tries too hard to hammer home the socio-political commentary.
