Much more than just battle-hardened survivors, The Prodigy’s latest album ‘No Tourists’ finds them in fresher form than at any point in the last decade.
Full of swirling, occasionally transcendent arrangements, ‘Living In Extraordinary Times’ proves that, even on their 15th album, James are a still a viable creative force.
Seventh album ‘Islands’ finds Ash in dynamic but uneven form, with the slower tracks and ballads edging out their regular pop-punk glories for the first time ever.
More Britpop throwback fun with DMA’S highly enjoyable second album ‘For Now’.
14 years on ice has not dulled A Perfect Circle’s political songwriting chops or pioneering alternative metal dynamics.
Aside from the controversy surrounding its release, Morrissey’s 11th studio album ‘Low In High School’ is an exhausting listen that tries too hard to hammer home the socio-political commentary.
Sparks’ first studio album in eight years, ‘Hippopotamus’, is either brilliant or naff depending on your outlook, but it’s most definitely enjoyable.
For their 13th album ‘Different Days’, The Charlatans raid their contacts list to help them produce their best album in two decades.
‘Pollinator’ stays true to Blondie’s classic sound while keeping it relevant and fresh for 2017, and shows there’s plenty of life in the band yet.
He may increasingly be a man out of time, but Peter Doherty is still very capable of crafting his old magic on his second solo album ‘Hamburg Demonstrations’.