A muddled mess of an album that sounds like a mid-life crisis being committed to record, ‘Man Of The Woods’ is an incoherent aberration from an artist who should know better.
Django Django’s third album ‘Marble Skies’ is their boldest and most diverse record yet, despite not containing any immediately classic singles.
Aside from the controversy surrounding its release, Morrissey’s 11th studio album ‘Low In High School’ is an exhausting listen that tries too hard to hammer home the socio-political commentary.
‘As You Were’ is fundamentally solid, but it’s just too hard not to compare it to the brash public persona that Liam Gallagher has constructed and be a touch disappointed.
Lana Del Rey is in a defiant and, dare we say, tentatively happy mood on her fourth album, ‘Lust For Life’.
As we enter the second half of 2017, our staff reveal their personal musical highlights of the year so far – and what we’re still looking forward to!
Little Dragon’s sixth album ‘Season High’ sees them fully embrace pop, but the results are sometimes strangely low on energy.
With a brand new Arctic Monkeys album set to drop later this year, we rank all of the records that Alex Turner has been involved with to date, from worst to best.
Surfer Blood’s fourth album ‘Snowdonia’ reflects the chaos and sadness of how it was created.
An insightful selection of brilliantly executed cover versions sits nicely alongside live tracks on this excellent companion piece to TLSP’s ‘Everything You’ve Come To Expect’.