19 year old French and Linguistics student at University of Leeds. My days are fuelled by coffee and good music, and hitting shuffle on my iPod will throw out anything from Arctic Monkeys to Kanye West, with the occasional bit of disco and funk for a Saturday night. I'm a little obsessed with all things French, particularly films and literature, and their music ain't bad too.
Leeds-based band Fizzy Blood’s third EP ‘Pink Magic’ continues to build on the strong foundations they’ve already laid down.
Teleman’s third album ‘Family Of Aliens’ is a thoroughly enjoyable suite of party-bound indie-rock, if rarely threatening to push the envelope.
A muddled mess of an album that sounds like a mid-life crisis being committed to record, ‘Man Of The Woods’ is an incoherent aberration from an artist who should know better.
Django Django’s third album ‘Marble Skies’ is their boldest and most diverse record yet, despite not containing any immediately classic singles.
Aside from the controversy surrounding its release, Morrissey’s 11th studio album ‘Low In High School’ is an exhausting listen that tries too hard to hammer home the socio-political commentary.
‘As You Were’ is fundamentally solid, but it’s just too hard not to compare it to the brash public persona that Liam Gallagher has constructed and be a touch disappointed.
Lana Del Rey is in a defiant and, dare we say, tentatively happy mood on her fourth album, ‘Lust For Life’.
Little Dragon’s sixth album ‘Season High’ sees them fully embrace pop, but the results are sometimes strangely low on energy.
With a brand new Arctic Monkeys album set to drop later this year, we rank all of the records that Alex Turner has been involved with to date, from worst to best.
Surfer Blood’s fourth album ‘Snowdonia’ reflects the chaos and sadness of how it was created.
