A masterwork of complex, multi-faceted and deeply moving dream-pop, Deerhunter’s 2010 album ‘Halcyon Digest’ was one of the decade’s most underrated records.
Grandiose yet heartfelt and nuanced, Arcade Fire’s 2010 album ‘The Suburbs’ cemented their position as one of the world’s biggest and best bands.
The point at which The National began to outgrow their cult status to become one of the world’s finest bands, ‘High Violet’ turns 10 years old.
Written off as commercial suicide at the time, MGMT’s lysergic second album ‘Congratulations’ has aged incredibly well ten years on.
Economical, precise and immense fun, Two Door Cinema Club’s 2010 debut ‘Tourist History’ gave indie a commercial shot in the arm at the start of the decade.
Beach House’s 2010 album ‘Teen Dream’ was the joyous sound of a band finally discovering the full extent and power of its own voice.
Presenting a fully formed 21st century pop icon to the world in the form of Florence Welch, ‘Lungs’ is one of the Noughties’ great debut albums.
Out of step with the great majority of what passed for alternative rock in the late Noughties, ‘Bitte Orca’ by Dirty Projectors has quietly shaped the subsequent decade.
The last instalment of a trio of brilliant Yeah Yeah Yeahs albums in the Noughties, ‘It’s Blitz!’ is 10 years old.
‘Merriweather Post Pavilion’ completed Animal Collective’s narrative arc and made them the most important American indie band of the Noughties.