Justin Vernon’s reinvention of Bon Iver as a full-band endeavour for its second album, replete with electronic washes, has been quietly but massively influential.
Justin Vernon’s fourth Bon Iver album ‘i, i’ emphasises the balance that needs to be struck between community and the individual, and is his warmest music yet.
A musical collaboration borne from their PEOPLE project, Aaron Dessner and Justin Vernon are a match made in indie-rock heaven on ‘Big Red Machine’.
10 Years On from Justin Vernon’s debut as Bon Iver, the album remains just as influential in hip-hop circles as it does in folk.
’22, A Million’ not only manages to stray from anything clichéd but reasserts Justin Vernon’s status as one of the few artists that truly manages to make an art form out of his melancholic ponderings of the world around him.
by Ed Biggs Throughout his short but dazzling career thusfar, James Blake has always come across as somebody determined to re-cast electronic music into something deep, innovative and distinctively modern. Anyone who heard his chilling, minimalist deconstruction of Feist’s ‘Limit To Your Love’ half a decade ago, a demonstration of his ability to say so much with so little, to utilise the silence in and around his skeletal music to his
Continue reading…