Reading Music Journalism at Huddersfield University, I have a passion for all things musical. I pride myself on being open minded in music genres and have a love of writing to match. The coolest cat on The Student Playlist, I also support Hartlepool United and am an avid pro-wrestling fan.
‘Shore’ is Robin Pecknold’s most sun-drenched and stripped back Fleet Foxes album yet – something that both works in its favour and against it.
After 17 years, Phil Elverum resurrects The Microphones for a beguiling, cryptic album consisting of one long track.
Gathering up a healthy number of B-sides and rarities among the prime cuts, Sleaford Mods’ first compilation ‘All That Glue’ is more worthwhile than your average greatest hits.
Despite many flashes of genius, Will Toledo’s latest Car Seat Headrest album ‘Making A Door Less Open’ is fundamentally confused and split in its identity.
Richard Russell’s second Everything Is Recorded project ‘Friday Forever’ is less consistent than his first, but has plenty of satisfying highlights and collaborations.
An album suffering a slight identity crisis, split between jazz, electronica and punk, ‘100% Yes’ is a blip for the talented Melt Yourself Down.
Descriptors like ‘outsider’ and ‘underdog’ completely fail to do justice to the eternal legacy of Daniel Johnston.
The best bands and artists to see at Live At Leeds 2019!
Shabaka Hutchings’ brilliant career continues with the invigorating sophomore record from The Comet Is Coming.
Snapped Ankles’ second record ‘Stunning Luxury’ is a whirring, unsettled mix of post-punk, krautrock and electronica, and is frequently absolutely brilliant.