Representing one of the commercial apexes of Britpop in the mid-Nineties, ‘Parklife’ was the realisation of Damon Albarn’s vision for Blur’s music.
Arguably the greatest hip-hop album of all time, Nas’ 1994 debut ‘Illmatic’ is a perfect distillation of the genre’s essence.
Although they’d been around for years before it, ‘His N’ Hers’ was the point at which Pulp finally found their audience.
One of the most influential indie records of all time, Pixies’ star-making second album ‘Doolittle’ was released in April 1989.
Released in March 1969 with Doug Yule in for John Cale, ‘The Velvet Underground’ proved that the band could turn their hands to anything and still sound cutting-edge.
Aphex Twin’s 1999 EP ‘Windowlicker’, combined with its memorable video, was so far ahead of its time that it still sounds cutting-edge today.
The last instalment of a trio of brilliant Yeah Yeah Yeahs albums in the Noughties, ‘It’s Blitz!’ is 10 years old.
One of the greatest monuments to hip-hop’s golden age of the late Eighties, De La Soul’s colourful and idiosyncratic 1989 debut ‘3 Feet High And Rising’ remains seminal.
Released to controversy in February 1999, ‘The Slim Shady LP’ was the lift-off point for one of the 21st century’s most memorable musical figures.
MC5’s career was ill-fated, but the white-hot fury and sprawling chaos of their 1969 live album ‘Kick Out The Jams’ was their apotheosis.