Popularising new-wave in the American mainstream, Blondie’s third album ‘Parallel Lines’ was a masterclass in aesthetic.
Perhaps the most sonically beautiful album of the Nineties, ‘Deserter’s Songs’ was Mercury Rev’s finest hour, but it emerged out of their darkest.
One of the most cruelly overlooked bands of the Nineties, The Beta Band’s reputation rests largely on the mercurial talent displayed on 1998’s ‘The Three EPs’ collection.
One of the most wildly ambitious British guitar records of the Nineties, Mansun’s second album ‘Six’ deserves to be rediscovered and celebrated.
A sensual, highly literate album about affairs of the heart, ’16 Lovers Lane’ was the defining work and epitaph for cult Australian indie act The Go-Betweens.
‘Chairs Missing’, the second of Wire’s holy trinity of late ’70s post-punk classics, turns 40 years old.
Although she has still not followed it up, ‘The Miseducation Of Lauryn Hill’ remains one of the most influential American records of the Nineties.
DJ Shadow and Mo’Wax boss James Lavelle teamed up for the star-studded UNKLE album ‘Psyence Fiction’ 20 years ago.
An album that revolutionised the stale and small pop music scene of 2008, Lady Gaga’s iconic debut album ‘The Fame’ turns 10 years old.
‘Straight Outta Compton’, the incendiary 1988 debut album by N.W.A, has defined 30 years of hip-hop in a way that no other album or artist has.