A sour, vitriolic and pessimistic vision for the Seventies after the death of the hippie dream, The Stooges’ gritty, sleazy second album ‘Fun House’ is a proto-punk classic.
The two completed solo albums from Syd Barrett, both released in 1970, remain intriguing insights into one of English music’s most elusive figures.
Very little else rivals Public Image Ltd.’s 1979 album ‘Metal Box’ as a more complete expression of everything that post-punk could be.
Razor-sharp, angry and intelligent, Gang Of Four’s 1979 debut album ‘Entertainment!’ was instrumental in laying down a template for post-punk that still endures today.
Four decades on from its release, The Slits’ scintillating debut album ‘Cut’ still blazes a trail for women in the music industry.
Turning his neuroses inwards, David Byrne and Talking Heads delivered their first proper masterpiece in 1979 with third album ‘Fear Of Music’.
One of the most iconic and influential indie albums of all time, Joy Division’s 1979 debut album ‘Unknown Pleasures’ turns 40 years old.
‘Chairs Missing’, the second of Wire’s holy trinity of late ’70s post-punk classics, turns 40 years old.
Key progenitors of no-wave and synth-punk, New York duo Suicide made their confrontational and divisive appearance on the city’s underground scene 40 years ago.
Seething with a creativity and artfulness that set it miles apart from British punk in 1977, Wire’s debut album ‘Pink Flag’ remains a totem for indie culture.
