On ‘Any Human Friend’, Marika Hackman reclaims female sexuality in pop music and redefines it on her terms, through truthful and passionate songwriting.
Compared to the leap forwards of Slaves’ most recent album, ‘The Velvet Ditch’ sounds like an afterthought, with the exception of one stunning moment.
Saul Milton and Will Kennard’s fifth Chase & Status album ‘RTRN II JUNGLE’ struggles to become anything more significant than a flat genre exercise.
Sophomore effort ‘Not Waving, But Drowning’ buttresses the reputation of Loyle Carner as one of the most intelligent and empathetic voices in British music.
Looking to their past for inspiration but skillfully avoiding the traps of cheap nostalgia, ‘No Geography’ is the best Chemical Brothers album in 20 years.
Yak’s second album ‘Pursuit Of Momentary Happiness’ is a study in the tunnel-vision madness of the creative process and striving to get what you want.
On their third album ‘Acts Of Fear And Love’, Slaves update their template and produce their most emotionally honest and thorough work to date.
Florence Welch’s fourth Florence And The Machine album ‘High As Hope’ is a more mature and grounded experience than her previous efforts, but no less enjoyable.
It’s just about worth sticking with the filler for the handful of gems on Blossoms’ second album ‘Cool Like You’, a record that cleaves to the formula of their debut.
The follow-up to his Mercury Prize-winning debut, ‘I Tell A Fly’ is a bold, experimental and largely successful step forward for Benjamin Clementine.