Although his influence is often taken for granted, it is important on the 50th anniversary of ‘Electric Ladyland’ to remember what Jimi Hendrix could do with a guitar.
A compelling voice in an otherwise bland wilderness, Sleaford Mods deliver another no-nonsense EP.
Channeling emotion and beauty as well as anger and intelligence, Idles’ second album ‘Joy As An Act Of Resistance’ is one of the finest punk albums in recent memory.
On their third album ‘Acts Of Fear And Love’, Slaves update their template and produce their most emotionally honest and thorough work to date.
While the intensity, shock tactics and style fusion is still intact, Death Grips’ sixth album ‘Year Of The Snitch’ veers close to the conventional in some places.
Johnny Marr’s latest solo album ‘Call The Comet’ sees the iconic guitarist get back to basics with an entertaining if sometimes samey collection.
What we got up to at the 2018 edition of Wakefield’s ever-impressive Long Division Festival.
Josh Tillman’s fourth Father John Misty album ‘God’s Favorite Customer’ marks a new chapter in his career, channelling his wit and self-deprecation into his most emotionally brutal record yet.
Echo & The Bunnymen’s prestigious canon of indie classics took on a new lustre with an orchestrated performance at Manchester’s Bridgewater Hall.
Four-song EP ‘The Long Sleep’ is a curious but sadly uneven addition to Jenny Hval’s catalogue.