Hayley Williams’ debut solo album ‘Petals For Armor’ showcases a different and interesting side to her personality outside of the context of Paramore.
Following a string of rough ‘n’ ready singles, Hotel Lux’s first EP ‘Barstool Preaching’ further justifies the excited words being uttered about them.
Lorely Rodriguez bounces back with her third album ‘I’m Your Empress Of’, more expressive and personal than her previous works.
Nandi Rose Plunkett’s second Half Waif album ‘The Caretaker’ is a beautiful and dark record, exuding resilience and vulnerability in equal measure.
Recorded after years of personal struggle, Holly Lapsley Fletcher’s long-awaited second album ‘Through Water’ is therapeutic and cathartic.
A document of recovery from Channy Leaneagh’s terrifying accident last year, ‘When We Stay Alive’ quietly demands your attention.
Another album of heartache set to exquisitely produced dream-pop, Greg Gonzalez’s second Cigarettes After Sex album ‘Cry’ feels like an extension of the debut.
Laetitia Tamko’s second Vagabon album takes the arresting vision of her 2017 debut and explodes it into something grander.
Louder, more emotional and more thoughtful than ever before, Zachary Cole Smith makes his finest DIIV album so far with ‘Deceiver’.
Canadian indie-rock veterans The New Pornographers keep things very much the same as ever on eighth album ‘In The Morse Code Of Brake Lights’ – and that’s a great thing.