Swapping stern angularity for warm, Seventies-inspired sounds, ‘Daddy’s Home’ is a personal affair for Annie Clark but perhaps the least knowable St. Vincent album.
‘MASSEDUCTION’ can be read both as St. Vincent being seduced into significant Pop culture relevancy and, conversely, her taking the entire medium of celebrity and Pop and making it work for her. Choosing to interpret it as the latter makes for one of the best and consistent listens of the year.